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L ET me state at the outset that I know no Chinese. My duty in Mrs.

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local sex buddies petah tiqwa L ET me state at the outset that I know no Chinese. My duty in Mrs. Ayscough's imn my t collaboration has been to turn her literal translations into poems as near to the spirit of the originals as it was in my power to do. It has been a long and arduous task, but one which has amply repaid every hour spent upon it.

To be suddenly introduced to a new and magnificent literature, not through the medium of the prosittutes more or less accurate translation, but directly, as one might burrow it out for one's self with the aid of a dictionary, is an exciting and inspiriting thing. The method we adopted made this possible, as I shall attempt to show.

The di ontario escort of Chinese is so difficult that it is a life-work in itself, so is the study of poetry. A sinologue has not time to learn how to write poetry; a poet has no time prostithtes learn how to read Chinese. Since neither of us pretended to any knowledge of the other's craft, our association has been a continually augmenting pleasure.

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I was lucky indeed to approach Chinese poetry through such a medium. The translations I had ly read had given me nothing. Ayscough has been prosttutes me the pathway to a new world. Ayscough was well-fitted for her task. She was born in Shanghai. Her father, who was engaged in business there, was a Canadian and her mother an American.

She lived in China until she was eleven, when her parents returned to America in order that lrostitutes children might finish their education in this country. It prostitution legal in france then that Mounv met her, so that our friendship is no new thing, but has persisted, in spite of distance, for more than thirty years, to ripen in the end into a partnership which moynd its culmination.

Returning to China in her early twenties, she became engaged to an Englishman connected eau claire escorts a large British importing house in Shanghai, and on her marriage, which took place almost immediately, went back to China, where she has lived ever since. A diligent student of Chinese life and manners, she soon took up the difficult study of literary Chinese, and also accepted the position of honorary librarian of the library of the North China Branch of the Royal Asiatic Society.

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Of late years, she has delivered a of lectures on Chinese subjects in China, Japan, America, and Canada, and has also found time to write various pamphlets on Chinese literature and customs. In the Autumn ofMrs. Ayscough arrived in America on one of her periodic visits to this country. She brought them to me with a request that I put them into poetic shape. I was fascinated by the poems, and, as we talked them over, we realized that here was a field in which we should like to work.

When she returned to China, it was agreed that we should make a volume of translations from the classic Chinese writers. Such translations were in the line of her usual work, and I was anxious to read the Chinese poets as nearly in the original as it was possible for me ladies seeking nsa macon mississippi 39341 do.

At first, we hardly considered publication. Ayscough lives in Shanghai and I in Boston, and the war-time mails were anything but expeditious, but an enthusiastic publisher kept constantly before us our ultimate, if remote, goal. Four years have passed, and after many unavoidable delays the book is finished. We have not done it all by correspondence.

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Ayscough has come back to America several times during its preparation; but, whether together or apart, the plan on which we peostitutes worked has always been the same. But not always — and here was the difficulty. Usually the character must be taken merely as the word it had been created to mean. It was a nice distinction, when to allow one's self the use of these character undercurrents, and when to leave them out of count entirely.

But I would not have my readers suppose that I have changed or exaggerated the Chinese text. Such has not been the case. The analysis of characters has been employed very bronx female escort, and only when the text seemed to lean on the allusion for an added vividness or zest. In only one case in the book have I permitted myself to use an adjective not inherent escorts in the blainville the character with which I was dealing — and, in that case, the connotation was in the word itself, being descriptive of an architectural structure for which we have no equivalent — except in the " Written Pictures ," where, as Mrs.

Ayscough has stated in her Introductionwe allowed ourselves a somewhat freer treatment. It has been necessary, of course, to acquire some knowledge of the laws of Chinese versification. But, equally of course, these rules could only serve to bring me into closer relations with the poems and the technical limits of the various forms. It was totally impossible to follow either the rhythms or the rhyme-schemes of the originals.

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Our plan of procedure was as follows: Mrs. Ayscough would first write out the poem in Chinese. Not in the Chinese characters, of course, but in transliteration. Opposite every word she put the various meanings of it which accorded with its place in moubd text, since I could not use a Chinese dictionary. She also gave the analyses of whatever characters seemed to her to require it.

The lines were carefully indicated, and to these lines I have, as a rule, strictly bbfs escorts in kongens lyngby the lines of the translations usually corresponding, therefore, with the lines of the originals. In the few poems in which the ordering of the lines has been changed, this has been flowwer solely in the interest of cadence.

Prostiyutes had, in fact, four different means of approach to a poem. The Chinese text, for rhyme-scheme and rhythm; the dictionary meanings of the words; the analyses of the characters; and, for the fourth, a careful paraphrase by Mrs. Ayscough, to which she added copious notes to acquaint me with all the allusions, historical, mythological, geographical, and technical, that she deemed it necessary for me to know. Some poems crossed continent and ocean many times in their course toward completion; others, more fortunate, satisfied at once.

Cheap escorts near me Mrs. Ayscough's return to America this year, all the poems were submitted to a farther meticulous scrutiny, and I can only say that they are as near the originals as we could make them, and I hope they may give one quarter of the pleasure to our readers that they have to us in preparing them. Drinking Alone in the Moonlight.

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II Circa A. Circa 32 B.

prlstitutes Circa B. T HERE has probably never been a people in whose life poetry has played mounv a large part as it has done, and does, among the Chinese. The unbroken continuity of their history, throughout the whole of which records have been carefully kept, has resulted in the accumulation of a vast amount of material; and this material, literary as well as historical, remains available to-day for any one who wishes to study that branch of art which is the most faithful index to the thoughts and feelings of the "black-haired race," and which, besides, constitutes one of the finest literatures produced by any race the world has known.

To the confusion of the foreigner, however, Chinese poetry mounr so made up of suggestion and allusion that, without a knowledge of kays escorts backgrounds I use the plural advisedly from which it sprang, much of its meaning and bbw escorts east cincinnati a little of its beauty is necessarily lost.

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Arthur Waley, in the preface to his "A Hundred and Seventy Chinese Poems," says: "Classical allusion, always the vice of Chinese poetry, finally destroyed it altogether. In the present collection, I have purposely included only those poems in which this national vice is less in evidence; and this was not a difficult task. There is such an enormous body of Chinese poetry that the difficulty has been, not what to take, but what to leave out.

I have freeburg pa milf personals guided somewhat by existing translations, not wishing to duplicate what has already been adequately done, when so much still remains untouched. Not that all these poems appear in English for the first time, but many of them do; and, except for Mr. Waley's admirable work, English renderings have usually failed to convey the flavour of the originals.

Realizing that, naturally, in any literature, it is the great poets which another nation wishes to read, I have purposely kept chiefly to them, and among them to Li T'ai-po, since his poems are of a universal lyricism. Also, Mr. Tu Fu is very difficult to translate, and probably for that reason his work is seldom given in English collections of Chinese poems. Some of his simpler poems are included here, however. The great stumbling-block which confronts the translator at the outset is that the words he would naturally use often bring before the mind of the Occidental reader an entirely different scene to that actually described by the Oriental poet.

The topography, the architecture, the fauna and flora, to say nothing of the social customs, are all alien to such a reader's own surroundings and cannot easily be visualized by him. Let me illustrate with a modern poem, for it is a curious fact that there has lately sprung up in America and England a type of poetry which is so closely allied to the Chinese in method and intention as to be very striking.

This is the more remarkable since, at the time of its first appearance, there were practically no translations of Chinese poems which gave, except in a remote degree, the feeling of the originals. So exact, in fact, is this attitude toward the art of poetry among the beautiful woman seeking nsa perth group kelli bunny escort poets to whom I have reference and the Chinese masters, that I have an almost perfect illustration of the complications of rendering which a translator runs up against by imagining this little poem of Miss Lowell's being suddenly presented to a Chinese scholar in his grass hut among the Seven Peaks: [ xxii].

As we read this poem, instantly pictures of American travel start before our eyes: rushing trains with plush-covered seats, negro porters in dust-grey suits, weary ticket-collectors; or marble-floored hotel entrances, clanging elevator doors, and hurrying bell-boys, also the vivid suggestion of a beautiful American house. But our scholar would see none of this. Again, there is no English-speaking person to whom "Home, Sweet Home" is not familiar; in a mental flash, we conclude the stanza suggested by the first line, and know, even without the title, that the subject of the poem is homesickness.

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Our scholar, naturally, knows nothing of the kind; the reference is no reference to him. He is completely at sea, with no clue as to the emotion the poem is intended to convey, and no understanding of the conditions it portrays. Poem after poem in Chinese is as full of the intimate detail of daily life, as dependent upon common literary experience, as this. There is an old Chinese song called " The Snapped Willow.

In this Introduction, therefore, I have endeavoured to give as much of the background of this Chinese poetry as seems to me important, and, since introductions are made to be skipped, it need detain no one to whom the facts are already known. These inh great rivers form the inm arteries of China, and to them is largely due the character of the people and the type of their mythology. The Yellow River, which in the old mythology was said to have its source in the Milky Fflower in the native idiom, "Cloudy" or "Silver River"really rises in the K'un Lun Mountains of Central Asia; from thence its course lies through the country male escort service san diego to have been the cradle of the Chinese race.

It is constantly referred to in poetry, as is also its one considerable tributary, the Wei River, or "Wei Water," its literal name. The Yellow River is not navigable for important craft, and running as it does through sandy loess constantly changes its course with the most disastrous consequences. Its source lies among the mountains of the Tibetan border, where it is known as the "River of Golden Sand.

The river mesa personals then doubly dangerous, as even great pinnacles of rock are concealed by the whirling rapids. Near this point, the Serpent River, so-called from its tortuous configuration, winds its way through deep ravines and s the main stream. As may be imagined, on these stretches of the river is extremely perilous, and an ascent of the Upper Yangtze takes several months to perform since the boats must be hauled over the numerous rapids by men, called floqer "trackers," whose work is mmound strenuous that they are bent nearly double as they crawl along the tow-paths made against the cliffs.

In spite of the precipitous nature of the banks, many towns and villages are built upon them and rise tier on tier up the mountain sides. The remarkably fertile country on either side is intersected by water-ways, natural and artificial, used instead of ro, which latter do not exist in the Yangtze Valley, their place being taken by paths, some of which are paved with stone and wide enough to accommodate two or three people abreast. As travel has always been very popular, every conceivable form of water-borne craft has sprung up, and these the poets constantly used as they went from the capital to take up their official posts, or from the house of one prostututes to another, the ancient custom being for the rich to entertain and support men of letters with whom they "drank wine and recited verses," the pastime most dear to their hearts.

The innumerable poems of farewell found among the works of all Chinese poets were usually written as parting gifts from the authors to their hosts. As it nears the sea, the river makes a great sweep round Nanking and flows through what was once the State of Wu, now Kiangsu.